Showing posts with label only an expert. Show all posts
Showing posts with label only an expert. Show all posts

Dec 28, 2010

Double Treat


"The time in 'Flow' is very odd - instead of bars, you'll wait seven beats until the next phrase and it's kind of, "Woah, what time signature is that in." It's in the time signature of regret or something, sort of flowing."
(Laurie Anderson on her Grammy-nominated violin piece 'Flow')



1. Listen to Mike Ragogna's interview with Laurie Anderson, recorded from KRUU-FM (broadcasting from Fairfield, Iowa):

  • part one (audio length: 13 mins 57 secs, file size: 19.2 MB)

  • part two (audio length: 14 mins 21 secs, file size: 19.7 MB)

[note: songs edited out]


2. Read the transcript in the Huffington Post.

Dec 12, 2010

Möte med Laurie Anderson


"I'm thinking of shows like Oprah. They approach everything like something's wrong with you... Nothing's wrong with you. You're a human being [with] some things to figure out. [...] Fix yourself."
(Laurie Anderson, 2010) 




Click to the picture to (re-)watch Laurie Anderson talking about screaming and personality design, reaching out for help and oprahfication on the sofa of the set of 'Delusion' in Uppsala, Sweden, April 2010.

Dec 1, 2010

Intervista Laurie Anderson


"When economics goes down, art gets better. Because people improvise. [...] People will not stop making art, no way. They will make it in a different way. And it can be then exciting. [...] It will never disappear."
(Laurie Anderson on RAI TV, November 2010)





Click to the picture to watch a recent web exclusive interview with Laurie Anderson made for RAI TV in Firenze, Italy.

(Some tags for the impatient: Miracle in Milan. Balzac. Political-personal-mental delusion. Motivations. Politics = stories = acts of imagination. Invasion of words / language / music. Crying. Tyranny of the rectangle. The importance of teaching. Economics and art. Capitalist Realism. Inspiration from Lolabelle. Lolabelle's Christmas record. 1,000 chicken waiting for being named. Cows with open stomachs. "Children" with problems.)

Sep 17, 2010

Stories and Dreams on WNYC


Laurie Anderson talked to John Schafer on WNYC (New York Public Radio)'s Soundcheck show on September 16th, 2010. In a week 'Delusion' will premiere in New York City, as the highlight of BAM's Next Wave Festival.

Topics:

- 'Delusion' - how "a series of plays for two people about things you just can't reconcile turned into a three-dimensional movie with stories", "a weird hybrid about things that I don't think I've really understood yet",

- Fenway Bergamot, who is not the voice of authority anymore ("I decided to accept blowhards"). He also performed a renewed / shortened version of 'Mambo and Bling' in the studio - this version might be known as "the Mambo and Bling without mambo and bling",

- 'Only an Expert' - a "pointed commentary on American society",

- the concert for dogs in Sydney, where "thousands of dogs showed up: they brought their people",

- plus a live performance of one of the most unsettling parts of 'Delusion': the movement which, for the sake of simplicity, I will call 'Mother's Death'.




Here is the show in its entirety, as part of the WNYC Soundcheck archive:






Or you can listen to an edited version of the interview here, on Files on a String, along with two live performances:



  • 'Mambo and Bling' on WNYC Soundcheck, 16th of September, 2010 (audio length: 5 mins 16 secs, file size: 7.24 MB)

  • 'Mother's Death' (excerpt from 'Delusion') on WNYC Soundcheck, 16th of September, 2010 (audio length: 3 mins 25 secs, file size: 4.69 MB)


Aug 19, 2010

'Only an Expert' Reshaped


Now here's a slightly enhanced version of Laurie Anderson's live performance of 'Only an Expert', aired today on NPR's World Café show:

- cut out two (or three) misspelled / blurred parts that were so flawlessly fixed after they'd been muffed at first
- overall volume leveled off then normalized
- background hiss removed

... I hope this kind of alteration still does not fall into the getting-the-air-out-of-the-record category.


I have to say I prefer this low-key variant of 'Only an Expert' to the album version... and the cynicism level of Laurie's voice really kicks a$$.


World Café, NPR


Laurie Anderson's appearance on National Public Radio's World Café on the 19th of August, 2010 is now available in the online archive of NPR. Instead of my speculation, the show turned out to be a 14-minute-long interview and an updated, one-woman version of 'Only an Expert', plus a new variant of 'Mambo and Bling' as web extra. All of them can be listened to


A quick extract of the subjects: 'Homeland' in its early stages (when it still was "a very loosely titled project"), nomads, Berlin vs. Tallahassee, Gemütlichkeit, 'Another Day in America' ("the bridge in the middle of the record"), mental drift, politics vs. poetry, how the hobby of engineering 'Homeland' became a horror for Laurie, pulling the alter ego out of the box, parents, etc.


Jul 27, 2010

The 'Homeland' Zoo


Getting absorbed in the world of Laurie Anderson's 'Homeland' led me to the following fun revelation: that animals appearing in various aspects of the album almost could fill a zoo.


Take, for example, The Beginning of Memory, with the billions and billions of songbirds circling around in the sky, and the lark, whose father dies one day, and whose decision to bury the corpse in her own head marks the beginning of memory.


There's one more bird - another songbird - in 'Homeland': the robin that sings the song of long lost love in Strange Perfumes. Oh, and let's not forget the sky-flying birds at the beginning of Thinking of You.


Some mammals also pop up here and there throughout the album: right at the start, Transitory Life's mouse who realizes that he's in a trap, and, from then on, he is literally condemned to death. [Not really a vision for sore eyes.] And, of course, Lolabelle, who leaves her mark on Bodies in Motion by her barking and playing the piano in her sweet, eccentric way.


Then there's Only an Expert that not only mentions the Pet Solution, but its updated lyrics also contain fish poisoned by, and ducks and dolphins completely coated with oil that spilled out into the ocean.


... plus a bonus from Mambo and Bling (the first vinyl of 'Homeland'):
"[...] the classic problem calculating your odds for accidents that might happen. Like, you have more chance, for example, getting hit and killed in a car crash than dying in a plane crash. But things keep changing, so you have to keep re-calculating the odds and updating the list. You you have to keep adding things like [...] being crushed by a crane falling onto your building. And you have to keep crossing other things off the list, like [...] getting trampled by hordes of horses"

Jul 25, 2010

"Ghosts" Accompanying, Part One


Warning: this is going to be a pointless rambling on some of the "ghosts" that are haunting on various tracks of 'Homeland'.

Laurie Anderson has stated a few times during interviews that, during the construction process of Homeland, she'd taken fragments from certain songs and built them into others. Being an avid audio candy hunter myself, it was no surprise that soon I caught myself listening to certain segments of songs over and over and trying to find out what those unfitting-or-familiar-at-first-sight/hearing fragments appeared at certain points of the songs and why. Now I'm trying to enumerate some of the more obvious ones.


1. The Timeless Melody

One of the recurring fragments is the melody sung by Aidysmaa Koshkendey, the female singer of the Tuvan throat-singing group Chirgilchin. Both 'Transitory Life' and 'The Beginning of Memory' begin with the same tune. During the former track, Aidysmaa's singing continues with a second and third line, escalating the frenzy of the hair-raising beginning of 'Homeland' even further. The third line, though less prominently featured than in 'Transitory Life', re-appears at the end of both verses of 'The Beginning of Memory', perfectly nestling into the timeless texture of the song.


2. The Bell of Concentration

The next element is the bell tolling that can be heard twice during the first half of 'My Right Eye' and numerous times throughout the whole track of 'Only an Expert'. Its use in the latter song still needs some further explanation to me (maybe it's the mockery of experts' constant calling of attention to themselves). If one considers the first verse of 'My Right Eye' as some kind of Buddhist exercise,

Concentration. Empty your mind.
Let the rest of the world go by.
Hold your breath. Hold your breath. Close your eyes.

the bell toll leads to another story that Laurie tells in 'Delusion'. It's a practice of concentration: you hear a chime clinging and you have to follow the sound with your mind, and then there's a second cling of the chime but this time your mind shouldn't follow it.

UPDATE: The bell also echoes in 'Falling', the restful counterpart of its predecessor, 'Only an Expert' - similarly to 'My Right Eye', it rings during the part of introversion: "[...] I fall asleep".


3. The Ghost of Dark Times

The ending of 'The Lake' required numerous listenings until I found out what the "ghost" whispered (i. e. Laurie's voice burdened heavily by filters and FXs). The rhythm of the recital sounded too familiar to me but, since my auditory comprehension skills are desperately weak, it took a fairly long time to recognize that the "whispering" is, in fact, the last verse of the previous track, 'Dark Time in the Revolution':

And you thought there were things
That had disappeared forever
Things from the Middle Ages
Beheadings and hangings
And people in cages
And suddenly they were everywhere
And suddenly they’re alright
Welcome to, welcome to,
welcome to the American night.

... OK, now... what the WHAT? Lines like these, stuck at the end of the most intimate, most moving, most peaceful song on the album? How so? Was it Laurie's intention to posteriorly disguise the intimacy of the song? This one really puzzles me. (If you are reading this and have a better solution, feel free to e-mail me.)

(To be continued. Sometime.)



Jul 17, 2010

Melbourne, 2007


Melbourne, 2007: an interview and live performances of  'Only an Expert' and 'Pictures and Things'. (Both songs are on the vinyl single of 'Homeland'.)

(total playing time: 23 mins 44 secs)

Jul 16, 2010

BP Problem - the extra verse on Letterman


Sometimes, when the oil drill breaks,
and the oil spills out into the ocean,
and it poisons the fish and it destroys the whole coastline,
and they bring in the riggers,
and they bring in the experts,
and they can't cap it and they can't stop it,
and oil keeps spilling
and every duck and every dolphin is
completely.
coated.
with oil.
and everyone knows:
it's a problem
So when experts say: let's get to the root of the problem,
let's take control of the problem,
'cause if you take control of the problem,
you can solve the problem.
Now often this doesn't work at all
because the situation is
completely.
out.
of control.




Jul 15, 2010

The Petroleum Solution at Late Night


"what is this sh_t? It's the worst thing I saw on tv"

"Laurie Anderson is a goddess. Period"

... Just two random audience reactions on Facebook after watching Laurie Anderson performing her updated version of 'Only an Expert' on the Letterman Show, July 14, 2010.




Click here for watching the video of the performance on Youtube.

Jun 27, 2010

NPR interview


Tidbits of Info You Could Not Make It Through the Day Without:
  1. Since the lyrics for 'Only an Expert', Laurie Anderson's raging song on exaggerated expertism are easily updatable, she's going to do so in the next weeks, adding a verse about BP and the petroleum solution to the song in her live performances.

  2. Lolabelle, Laurie's musically gifted rat terrier is working on her Xmas record.

  3. Laurie Anderson does not have any answers. (!)

Listen to National Public Radio's interview with Laurie Anderson by Scott Simon.

And don't forget the Q&A session containing questions from Facebook and Twitter users towards Laurie (I can't link to it directly from here, it's on the left side of the article, under the photo). One of them could deserve the Mister Heartbreak Award of the Day and it goes like this:

"I'd like to know if she's aware the distinct musical rhythm of her heart."