Showing posts with label philip glass. Show all posts
Showing posts with label philip glass. Show all posts

Apr 14, 2011

For Japan with Love: the Interview


"Our set was improvised. You never really know what's gonna happen when you improvise. But I felt like there was definitely a spirit there, that kind-of took over. I don't know if it's conscious or choice-- I don't think those are the right words-- but something definitely magical happened."

John Zorn on the trio of himelf, Laurie Anderson and Lou Reed
April 2011


In the following video by Japan Society NYC, Lou Reed, John Zorn, Laurie Anderson and Philip Glass are discussing their musical selections for the benefit concert for Japan, plus sharing some of their fondest Japan-related memories. Watch and learn about Lou Reed's first computer calculator watch and why Laurie's Japanese s-s-sucks:




Oct 29, 2010

Beauty of the World


The Dorothy and Lillian Gish Prize is "awarded to a man or woman who has made an outstanding contribution to the beauty of the world and to mankind's enjoyment and understanding of life through performances on the stage or in films or in any other area of the performing arts, by writing or composing a book, libretto, score, composition or other artistic work to be used in the performing arts, by directing performances, plays or films, by conducting orchestras or recitals or who has designed a stage set, theater, concert hall, opera house or other artistic or architectural creation for use in the performing arts or through other fields of art such as architecture, painting, sculpture, poetry and literature. The recipient should by excelling in his or her field have served as a model and encouragement to all others who would follow in his or her path. It is [Lillian Gish's] desire, by establishing this prize, to give the recipients of the prize the recognition they deserve, to bring attention to their contributions to society and to encourage others to follow in their path".


In 2007, Laurie Anderson was the chosen one.

By clicking to the picture below, you can watch the video of the Gish prize ceremony honoring Laurie Anderson, along with appreciative words and performances from friends and fellow artists Marina Abramović and Philip Glass (among others). The video opens in a new window.





Laurie's acceptance speech starts at 36 minutes into the video. This article at CultureKiosque cites parts of her speech about untrue-but-good stories and NASA's ambitious long-time plans. At 47', there's an after-ceremony interview with the freshly honored Laurie Anderson.


Aug 27, 2010

Meanwhile, in Mrs. Lincoln's Head...


I was nearing the end of my journey.
You're alright now.
There's nothing there.
There's nothing the matter.
There's nothing the matter with his face.
Come with me
in a back country road.

Someone just changed their mind.
Please, never a kiss.
Still living, yeah.
That's it.
I was just leaving.
Have a complicated smile.
One small one.

It was an accident.
Take it or leave it -
                              relax.
Let me out of this.
Watch this.
I told you we could make a good team.

Have I left out anything important?
I'm in a bad way, I'm havin' a relapse.
I'll have another gimlet.

OK. The beach.
Let's
        go
        easy.

Who are you?
You had better speak.
Close the door.

Some suggested pictures danced the night away.

We're late. I didn't hear you.
Just a minute. Think of it.

Hey, killer. Just leave me alone.
My ambition, my emotion must not be mine.
Woof! Woof!
- OK. Of course.
Argh. Arrgghh!

It reminds me of the time when we had that terrible experience.

Yes, stranger.
Hardly perfect.
How come I have bruises?
Children grow up too fast.
You are doing fine.
Reverse, well, well,
I'm cutting out.
Wait a second.
Good night.

I need more time.
- Forget it.
That's the trouble.
Steady - sea - spire - sheets - of - ice.

What about the button?
Which island is it?
I hear a sound.
It must have been a terrible war.
Oh boy... what's that, please?
Do you know what I think?
I hear a sound.
Nothing's wrong.
I'm not mad. Let's put it this way -
Go ahead. Stop running,

I've got it.
Go ahead. I'm nervous - I'm not nervous,
Will you cooperate? Open the door.
I am a volunteer.

How can you say everybody thinks it's my fault?
Do you want to know the real cause?
Let me alone.
Well, wait.

It must have been a terrible war.

Oh boy. Please, please.
We're ruined.
You can't stop anything.

I'm not mad.
Understand, anyway, anyway, anyway
Tell me one thing.
Just change the subject.
Something is going on.

Well, this is the backdoor bell,
Actually, anyway,
I hear a sound.

Go ahead and say something nasty.
I can take it.
Wonderful. Go ahead.
Finish the piece.
Let the murderers begin.

It's a very quiet thing.
Well, it's good to see your things moving again.

There is the bell.
Who is it? Well, that would be nice
Well, that would be fun.
Honestly, please, be patient with me.
Sure, I have the rest of my life.
Good luck, Jim.
You said that there was a quick way out
Yes, Mister Miller,
What is that turn-off sound really?
After all, you've never served officially in a war.
Except one.

I suppose this place really is nice. Do you like it?
I deal with the past now.
Look dead. Would you? Never mind. Please, don't rush.
Snap it up.
I said it might be a mistake.

What was she like? Don't worry about the past... dream.


I was...
There are some things I just will not eat.
Yeah, I'm going away.
Who's to say the eyes are honest?
Don't misunderstand me. I am happy.
Well, I suppose I might just free.
It's good to see here today.
Well, maybe... Don't touch me.
Murder is on his mind, no. No,
I can't
gently,
gently
- that's better.
There's no one by my side.
I got caught up by the moon singing.
Well, I'm speechless.

Well, what are laughing at the pain in my left shoulder hunk?
I should be dead.

OK, group.
Backwards.
I need to be alone.
Look, it's human nature.
I'm fine, thank you.
That sounds like a warning.
I'm not nervous.

I am just
    scared
        to death.

This time
    for real
        now.

What about the button?
- You are slowing down.

What else do you remember? Try to remember.
There must be something else.
It must have been a terrible war.

Don't lose it.
Every day is wonderful when I'm with you.
Don't go away.

It's over


(Laurie Anderson as Mrs. Lincoln in
The Civil Wars: A Tree Is Best Measured When It Is Down, Act V - The Rome Section.
Music by Philip Glass, lyrics by Robert Wilson)


(any help would be deeply appreciated)

Jul 31, 2010

Inheritance Tracks of Laurie Anderson


On 31st of July 2010, BBC Radio 4's Saturday Live show featured Laurie Anderson picking two significant pieces of music of her life.

She 'inherited' Philip Glass' Music in Twelve Parts:
"There's something so obliterating about that music, I really loved it. [...] In the early 70s, going to Philip Glass' rehearsals was where a lot of us (musicians, dancers, sculptors) learnt to be artists."

... and 'passes on' Strange Fruit (sung by Billie Holiday) to the next generation:
"It's like a haiku, describing an image of a lynched person hanging from a tree. And then, the context is this incredible beauty, the gallant South and sweet magnolias, so you have a horrifying image in this genteel and beautiful almost kind-of garden. That kind of duality has an incredible punch for me. [...] Can art of music influence behaviour, or even, let's say, politics? In the case of this song, it absolutely did."


The programme is already available to listen to at  BBC website but here is an edited version of it, trimmed down to Laurie's parts only:





Jul 27, 2010

Video of KODY Festival


A report about Laurie Anderson's and Philip Glass' performances at the KODY Festival in Lublin (Poland), May 2010:




Note: goosebumps alert at 0:35 ( = excerpt of 'One Night of Swords' from Delusion)

Jul 11, 2010

Philip Glass Gala photos

For photos of various NYC art royalty, check out Tony Powell's photos from the Philip Glass Gala in St. Mark's Church, NYC, April 27, 2010.


In the photos: Philip Glass (composer), Chuck Close (painter), Mikhail Baryshnikov (choreographer), Laurie Anderson (performance artist), Molissa Fenley (choreographer), Lucinda Childs (dancer/choreographer) and others.