Showing posts with label ftw. Show all posts
Showing posts with label ftw. Show all posts

May 30, 2011

"Make your travel plans now."


I'm not sure if there exists a phrase like that in English but I can't help saying it: if the following didn't exist, it should have been invented.

What the hell, you're asking, Dearreader?

Laurie Anderson as the voice of a planetarium. For real. Holy cr*p, this is so her. Me wants to go to Chicago, I mean, right now (hoping the show is still running). (No, of course it's not in the programme anymore.)

This video is a trailer for Time/Space, Adler Planetarium's animated show on the past and the future of the Cosmos, produced in 2005, narrated by Laurie Anderson:




(extra: a press release of the show from a previous version of Laurie's website)

May 13, 2011

Only in Case You've Got 25 Minutes. Seriously.


May 1st 2011: Laurie Anderson's dramatic reading of James Salter’s short story, "Raphael" - a trademark andersonite multimedia presentation held amid JuliĆ£o Sarmento's exhibition "Artists and Writers/House and Home" at the Parrish Art Museum, Southampton whatever blablabla.


Now...

  1. Lights off.
  2. A [...] of [...] at hand. (You name it.)
  3. Play button.
  4. Full screen.
  5. Enjoy.





Apr 30, 2011

Scenes from 'Delusion'




Detail of Laurie Anderson's 'Delusion' postcard set
Photo by Darek J.



Click to the picture above for a photo gallery of the 'Delusion' postcard set: scenes from the performance selected, captioned and signed by Laurie Anderson. Photos taken and kindly provided for the blog by Darek. Thanks a lot!


Apr 26, 2011

The Charlie Rose Interview, 2004


"... But the real reason I wanted to walk to Paris [from Milan] was because I was trying to think about how to be free - 'cause that's really the only thing I care about now... Learn to be free from my prejudices, my patterns, my ideas of what I think is 'good' or 'bad' - just trying to not react to them automatically, and to open my eyes and see what I'm really seeing, not just what I think I'm going to see or what I think should be seen."

"I'm trying not to have a goal, but just to think about how it feels to pay attention."
(Laurie Anderson, 2004)



As part of my Google video rescue project, I'm happy to include here my personal favourite interview with Laurie Anderson: as Charlie Rose's guest in May 2004, she talked about (among others) her Japanese garden project, the importance of freedom, her method of 'working', the walking project / audio diary that later evolved into 'Nothing in My Pockets', and she gave a short demonstration of the Pillow Speaker. Plus, at that time she was still being NASA's resident artist. Sigh.








Apr 15, 2011

No Words Needed


'Duets on Ice' in Rio de Janeiro, March 2011: a video by Marcello Dantas and Raphael Lupo:




Apr 8, 2011

In One of Those Abstract Trances :)


"My sKiRt is ShorT, mY HAir BIG,LauRie'S tIe is Hooked UP tO A SynClAvieR and The 5 Blind Boys ( of whom ThEre ARe Only 3) siNG LAAINGUIDGE, IS A VIRUS! fun to see this again."
(Joy Askew on the 'Language Is a Virus' video from 'Home of the Brave'
Facebook, 2011)




Mar 29, 2011

Painting with Light on an Enormous Canvas




Dead

stars

t  h  e  i  r    l i g h t    s  t  i  l  l

trapped

in time.





Light installation by Laurie Anderson
Sydney, Australia 2010
photo by huailimay



The picture above is part of this gorgeous photo gallery of Laurie Anderson's light installations on the sails of the Sydney Opera House during last year's VIVID Festival in Sydney, Australia.

Thanks to Darek for the URL!


Mar 27, 2011

A Closed Circuit, Baby.



I'd rather not try to guess what the following performance might have meant to the average moviegoer in Western Germany, 1983...

Laurie Anderson performs 'Closed Circuit' in Rudolf Thome's movie 'System ohne Schatten' (English title: 'Closed Circuit'):






Mar 22, 2011

The Song That Left Mnemosyne Speechless



Once upon a time...

"For the 50th anniversary of WNYC's FM station in June of 1994, we decided to embark on a program of commissioning music from diverse American composers to celebrate the occasion. [...] We asked the noted poet John Ashbery for a poem, and then sent it to 12 composers. Their instructions were simple: write a piece based on the poem — it did not have to be a typical voice-with-piano setting; it could use some of the text, all of the text, or none of the text. [...] In the end, a splendid concert took place on June 13, 1994, when thirteen pieces by the twelve composers had their world premieres at Lincoln Center's Alice Tully Hall."
(WNYC Music Host John Schaefer)


Laurie Anderson was among the twelve composers involved, and she

"provided a tape piece, 'This House of Blues', in which she set her own inflected reading of the poem, in slightly rearranged form, against a soft-edged, electronically altered ensemble." 
(Allan Kozinn / The New York Times)


'This House of Blues' was later included in 'The WNYC Commissions Vol. One', released in 2002, almost completely unavailable in 2011.

After a months-long journey through the United States and half of Europe, thanks to a bunch of helpful friends, the CD has recently arrived to Mnemosyne.

The awesomeness of the song has left Mnemosyne speechless but she was convinced this song cried for visual accompaniment. And publicity. That's why she asked lukeslark to create a video for it.

Here's what Luke has to say about his creation:

"[...] decided to take a very simple approach visually, partly due to the fact that the lyrical content is quite abstract and complex and really needs to stand by itself without distraction, but also because I'm drawn increasingly to simplicity, the transparent, like the 'pellucid statues' mentioned by the daughter. Interesting how Laurie's intonation of 'she said' following the daughter's words ties the piece back to her earlier work i.e. 'It Tango'. [...]

My first thought with the song was to use tight claustrophobic blue corridors [...] - but as soon as I found the sky footage I thought, 'that's it!'."



Close open your eyes and behold.

(FYI: lyrics and credits under the video)







No Longer Very Clear 

by John Ashbery

In this house of blues...

It's true that I can no longer remember very well
The time when we first began to know each other
However, I do remember very well
The first time we met. You walked in sunlight,
Holding a daisy. You said, "Children make unreliable witnesses."

In this house of blues...

Now, so long after that time,
I keep the spirit of it throbbing still.
The ideas are still the same, and they expand
to fill vast, antique cubes.
My daughter was reading one just the other day.
She said, "How like pellucid statues, Daddy. Or like a...
an engine."

In this house of blues...

In this house of blues the cold creeps stealthily upon us.
I do not dare to do what I fantasize doing.
With time the blue congeals into roomlike purple
That takes the shape of alcoves, landings...
Everything is like something else.
I should have waited before I learned this.



Credits:

Laurie Anderson, vocals and keyboards
Cyro Baptista, percussion
Joey Baron, drums
Greg Cohen, bass
Brian Eno, drum treatments


Mar 16, 2011




Sleep is where you learn to let things go.

The dead in their hideouts.
The spinning world.
Yes, sleep is a vanishing act.
And then again, so is life.










[lyrics excerpt from 'Delusion' by Laurie Anderson]

Mar 14, 2011

Tape-bow Violin, v2.0


When a Laurie Anderson lecture proves seminal...


Young St. Louisian composer and musician David MacDonald, having gotten inspired by Laurie Anderson's tape-bow violin as an undergraduate student some years before, has now created the Sampolin, the tape-bow violin's digital version.

The Sampolin has got the shape of an analogue violin but it's filled inside with electronics and it's got some extra knobs and buttons.

Similarly to the original, a certain short sample of sound is assigned to the bow: the sample 'starts' at one end, and it 'ends' at the other end of the bow. If the bow touches the the string on the Sampolin, the string tells the computer which part of the bow is touching it, so the computer will tell which part of the sample to be played. By pushing the buttons aligned on the neck, the player can easily switch between the samples he wants to play. Plus, by turning the tuners in the pegbox, instead of fine-tuning the strings, the player can add extra effects to the raw sound, for example an additional musical tone that is extracted from the original sample.

Watch David's introduction of the Sampolin:




Mar 8, 2011

Duets on Ice in London, 2011 a. k. a. Auditive Solace for the Remote and Deprived (Plus Photos, Yay)


... a. k. a. that's what friends are for!

Files on a String now proudly presents timeiswide's recording of 'Duets on Ice' in London, performed at the Barbican Art Gallery a few days ago: prepare your ears for 2 x 12 minutes of groovy freeform improvisation onto musical bases that may be familiar from 'Delusion' (plus, I dare say, 'Homeland'). Yes, there are two recordings since the first session of 'Duets on Ice' (8 PM) was sold out so the organizers announced yet another performance at 9 PM. Considering Laurie's genuine inclination towards random playfulness, it comes as no surprise that the sessions are quite different from each other.

"[...] also, Laurie almost fell off the very tiny stage .... during the second session, the ice on her right skate broke off, and Laurie lost her balance .... [then] got her balance back. Laughed, smiled and immediately continued with now only one ice block, received an extra applause from a relieved audience ... "


"[...] and what felt as a long long time when Laurie lost her balance due to an ice-break on her right foot skate turns out to be a split second on the rec!
See, what you sense and experience as many seconds turns out to be different, on a recording!"
(excerpt from Timeiswide's review of the sessions)








Laurie Anderson playing 'Duets on Ice'
at the Barbican Centre in London, England


(FYI: more photos of the event at Contactmusic: here and here. Also in Barbican's Facebook photo gallery!)

Mar 2, 2011

The End of the Moon... Almost


Read Tom Gordon's breathtaking story about a Laurie Anderson gig's soundcheck turning into a disaster right before the show... Tension. Twist. Thrill. More tension. In a theater near, uh, Reno NV (snare, snare, hi-hat).

Feb 25, 2011

The (Late) Night America Got Its Insanity Fix


A woman pretending to be a man pretending to be a wo... whatevs. Laurie Anderson is the master of confusion. Performing as her male alter-ego Fenway Bergamot on Late Night with Jimmy Fallon last night (February 24, 2011), (s)he stirred a tidal wave of WTF among the viewers of the show which, for a few hours, sent the term "Laurie Anderson" among America's top trending topics on Twitter.

Super wicked creepy awesomeness - or just 'Another Day in America':





If you are interested what people thought about Fenway Bergamot, check these out:

  • Prefixmag's review of the performance
  • Tweets posted during and after the performance, collected by Mnemosyne (some seriously hilarious genuine reactions - explicit language!)






Feb 13, 2011

Oh well.


No Grammy for 'Flow' - too bad / so what / their loss (pick your favourite).

However, the awesomeness factor of the Pre-Grammy telecast (via YouTube) ran up high the moment the fourth presenter graced the stage



Laurie Anderson presenting classical Grammies
February 2011


wearing a pair of red socks and high-heeled killer red slippers - how cool is that!



Laurie Anderson
low profile, kicking a$$



- and gracefully doing her slightly awkward job of accepting all those classical music Grammies on behalf of the podium.


on behalf of the podium


Feb 2, 2011

Laurie in Austria!


Laurie Anderson will perform 'Transitory Life' on the weekend of May 5th-7th, 2011 as part of Donaufestival in Krems, Austria. For the time being, only early bird tickets are available for the whole weekend. Single tickets will be on sale after the 10th of March.


Feb 1, 2011

Eerie Purple Clouds Moving around the Notes


At last - part three of Deirdre Mulrooney's Skype interview has arrived: "On 2011 projects, Lolobelle, and Inter-species Communication" (plus Laurie's violin, the evolution of 'Delusion'; Leonard Cohen and walking on the spine of a dinosaur).

Looks like a prolific year Laurie is looking forward to - just a couple of tags in advance: a new book! Short songs on violin! 3D movie installations! Interpreting the way fish move via violin playing for blind people! Walking in Ireland!





(Vulgo.ie has also put the transcript of the interview online oh, they removed it.)


Jan 30, 2011

Strange Perfumes in Budapest


"My mother is cold and my father is dead
I can only see him in the back of my own head."
(excerpt from 'Strange Perfumes' live version, 2007
music and lyrics by Laurie Anderson)




OMG, this is a mesmerizing live version of 'Strange Perfumes' - recorded in Budapest, Hungary, June 2007. It's got totally different lyrics from the album version, e. g. it mentions names from a long lost past - hear it for yourself.



Jan 10, 2011

Teh Coolness.



Behold.




Robert Sabino?, Laurie Anderson
Home of the Brave, Hammersmith Apollo
Photo source: jacquemart / Flickr





(Hint: look for more in jacquemart's photo stream.)


Jan 8, 2011

Just Another Fire in Dreamland



"What's this bell
Ringing in my ear?"